This body of work began as a modern reinterpretation of 17th-century natural history drawings and etchings that aimed to document the world. Over time, it has evolved into something more personal and intuitive: a visual archive not just of specimens, but of moments, textures, and quiet beauty.
I collect aesthetics as much as objects. Through close observation and abstraction, I aim to shift focus from the grand to the granular, hoping to remind us that wonder doesn’t only live in epic landscapes, but also in the color shift on a beetle’s shell or the fractured pattern of a dried leaf.
In a world that moves fast, this work invites slowness. It asks the viewer to linger, to notice, to rediscover intimacy with the overlooked. My hope is to reconnect people with the poetry of the everyday and to create a space where stillness reveals the extraordinary hiding in plain sight.